The Monolith TS10 is built for tapping. Everything about it is focused on that idea the feel, the ergonomics, the extended range and the way the instrument connects player and sound. It is the result of everything we’ve learned as players, builders and innovators, stripped down to what matters.

Ten strings. Two string sections. One instrument with two independent voices. The TS10 features a stereo output that separates the two string sections, sending each side to its own channel. Process them independently. Run different effects chains. Use separate amps. Keep one side clean and push the other into distortion, modulation or ambience. Or create two completely different sounds that interact as part of a single performance.

This separation turns the TS10 into more than an extended-range tapping instrument. It becomes a platform for building sound from massive stereo landscapes to radically contrasting voices, all controlled directly from the instrument. Designed for tapping. Built for exploration. Made to push further.